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DYLAN & THE DEAD - 1988


 

TRACKS & LYRICS

AUDIO


Slow Train
I Want You
Gotta Serve Somebody
Queen Jane Approximately
Joey
All Along The Watchtower
Knockin' On Heaven's Door


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Liner Notes


Produced by Jerry Garcia and John Cutler

Engineered by John Cutler and Guy Charbonneau

Additional Engineers - Gary Hedden, David Roberts, Peter Miller, Billy Rothschild, Chris Wiskes

Digital Mastering - Joe Gastwirt
Concert Sound - Dan Healy
Grateful Dead Crew - Ram Rod, Bill Candelario, Steve Parish, Harry Popick, Robbie Taylor, Billy Grillo, Bob Bralove
Lighting Designer - Mike Fischer
Album Coordination/Tour Manager - Cameron Sears
Legal Counsel - Hal Kant

Grateful Dead Office - Eileen Law, Janet Knudsen, Sue Stephens, Mary Jo Meinolf, Maruska Nelson, Annette Flowers, Basia Raizene, Diane Geoppo, Nancy Mallonee

Club Front - Bill Legate, Brian Williams, Dick Latvala
Cover Art - Rick Griffin
Photograph - Herb Greene
Layout - Allen Weinberg
Publicity - Dennis McNally

Recorded Live - July 1987
Mixed at Club Front, San Rafael, California - November 1988

Special Thanks To:

Elliot Roberts
Bill Graham Presents
Monarch Entertainment - John Scher
Ultrasound - Mike "Snake Charmer" Brady
Le Mobile
GHL Recording
Studer Revox - Fred Layn
Never - Nigel Totes
Travelquest
David Nelson
Billy Crow
Patricia Harris
Steve Marcus
Queen Florinda Baker
Don Devito - Columbia Records
Steve Berkowitz - Columbia Records
Jack Rovner - Columbia Records
Frank Gironda - Lookout Management

Album Notes


This document of the historic summer-of-1987 live pairing of the rock era's premier singer/songwriter and its longest-running psychedelic adventure-cum-sideshow is not nearly as great as the shows themselves were. Yet, it exemplifies rather eloquently what each brought to the party. Dylan, obviously, brought the tunes--but not just the acknowledged classics. As the dry reading of "Joey," his mid-'70s tribute to gangster Joey Gallo, rightfully suggests, Dylan kept the Dead on their toes with his choices. The Dead, of course, brought their indescribable way with a song, their ability to turn any tune into a jam-friendly, lyrical boogie. And as the opening "Slow Train Coming" rightfully suggests, when this weird combo of talents clicked, every dusty corner of Dylan's catalog got a unique makeover.

 
 

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